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  • I I7 IV IVm Voice Leading Melodic Lines
  • Super Quiz
  • Fingerstyle Technique Foundations
  • Fingerstyle Hand Position
  • Plural Practice
  • Fingerstyle Fundamentals 6/8 Alternating Bass
  • Slash Basses in Open Position
  • Fingerstyle Switching Home Position
  • Using the Capo Key of D
  • Fingerstyle With Moving Bass
  • Moving Bass Lines in G
  • The b3 in A Blues
  • Downbeat and Upbeat
  • Dividing Time in Music
  • Palm Mutes and Rhythm
  • Blues in A with Power Chords
  • Blues with Power Chords II
  • Blues in A Open
  • What is a 7 Chord
  • Building a Solo Over the Blues in A
  • Alternate Chord Fingerings
  • C Major Scale II Position
  • Campfire Charts
  • Breaking Down Six String Chords
  • Breaking Down Six String Minor Chords
  • E Natural Minor Scale
  • E Harmonic Minor Scale
  • Rhythm and Counting
  • II V I Parallel Major and Minor
  • Hammer On
  • Scales and Practice
  • Major and Minor Thirds
  • Sus4 Chords C Sus4
  • Spelling Major and Minor
  • The Minor 7b5 Chord
  • Melodic and Harmonic Intervals
  • Major, Minor, Diminished and Augmented
  • Moveable 7th Chords
  • Barre Chords Introduction
  • Introduction to Moveable Chord Forms
  • Moving Open Position Shapes
  • C7 and Moveable Chords
  • The Moveable C7 chord
  • Connecting Bass Lines
  • Consonance and Dissonance
  • Creating Chord Voicings
  • DADGAD Tuning
  • 3 Note Arpeggios
  • E Chromatic Scale
  • E/G# in A major
  • E Major Scale Open Position
  • Memorizing Progressions
  • The Pedal I to IV
  • Pull Off
  • Bm7b5 and E7b9
  • Parallel Minor
  • Melodic Rhythm Playing
  • Minor 7 Chords
  • Melodic Interest in Your Rhythm Playing
  • Creating New Sounds With Basic Shapes
  • Flat Keys Introduction Part I
  • Flat Keys Introduction Part II
  • Abbreviating Chords for Soloing and Comping
  • CAGED Chords and Scales
  • A Natural Minor – 5 Positions
  • Dorian bVII Major Chord
  • D Major Scale 5 Positions
  • C Major Scale in Sixths
  • Connecting 7 Chords
  • Am | Am#7 | Am7 | Am6
  • Dm | Dm#7 | Dm7 | Dm6 |
  • Harmonic 3rds in C Major
  • C Major 2nd Inversion Chord Scale String Set One
  • A Major Scale 5 Positions
  • 7th Arpeggios I
  • Moveable Major Chords Rt 6
  • Moveable Minor Root 6
  • Moveable Chords Root 6
  • Moveable Major Chords Rt 5
  • Moveable Minor Root 5
  • Moveable Chords Rt 5
  • Moveable I-IV-V Rt 5 and 6
  • Moveable I-IV-V Chords in Minor
  • Arpeggios – A Minor Blues
  • Moveable 7th Chords
  • Moveable Major Scale Rt 6
  • Moveable Major Scale Rt 5
  • Chord Movement – The Secondary Dominant
  • Vibrato
  • Introduction to Pedals
  • Augmented IV Diminished
  • Blues Lines with the bVII
  • Chord Function vs Spelling
  • Chord Scale Concepts
  • Connecting Minor 7 Chords 
  • Connecting Moveable Forms
  • Dominant 7 Cycles
  • Melodic Thirds Through a Major Scale
  • Neighboring Tones Root 6
  • Neighboring Tones Root 5
  • Parallel Major and Minor
  • Passing Diminished Chords
  • Harmonic Sixths Through a C Major Scale
  • G Major Scale in Harmonic Sixths
  • C Major 7 Voicings
  • G Major 7 Voicings
  • Voice Leading an Introduction
  • Introduction to Chord Melody in C
  • Harmonizing in A Minor
  • A minor to D minor and Chord solos
  • A Minor Chord Melody
  • G Major Chord in A Minor
  • The V7 Chord in a Minor Key
  • The V Chord and Harmonizing in A Minor
  • Harmonization of A Harmonic Minor
  • Scarborough Fair Chord Melody
  • The Common Open Chords
  • Deriving A Minor Pentatonic
  • C Major Pentatonic Scale Open Position
  • Technical Exercise 1
  • Chords in the Key of C
  • Alternating Bass in C
  • Chords in the Key of G
  • What is a Power Chord?
  • b7 Below the Root
  • A Major Scale in Open Position
  • I IV V with Barre Chords
  • Spelling and Inversions
  • Introduction to Dropped D Tuning
  • C Major Triads String Set One
  • Introduction to the Modes
  • Major and Minor Pentatonic Parallel
  • Voice Leading
  • The CAGED System I
  • Major Scales – All 12 Keys
  • C Major Pentatonic All Positions
  • Minor 7 Chords Open Position
  • A Minor Triads String Set 1
  • A Minor Triads String Set 2
  • C Major Triads String Set 1
  • C Major Triads String Set 2
  • C – F Major Triads Inversions
  • Chopping String Sets Triads
  • Chord Scale First Inversion Triads Key of C
  • Connecting Major Scales Part 1
  • Connecting Major Scales Part 2
  • Connecting Major Scales Part 3
  • D minor Triads String Set 1
  • D Minor Triads String Set 2
  • F Major Triads String Set 1
  • F Major Triads String Set 2
  • I, IV, V Triads Key of C String Set 1
  • I-IV-V Triads Key of C String Set 2
  • I- IV- V Triads Key of C String Set 3
  • I, IV, V Triads Key of C String Set 4
  • E7 Triads, String Set 1
  • E7 Triads, String Set 2
  • Lateral Scale Shifts
  • Root Position Chord Scale with Triads Key of C
  • I to IV to I Inversions and Classic Line
  • Two Octave C Major Scale Second Inversion Triads
  • The Tritone as a Dominant 7 chord
  • Playing with Chord Tones in the Blues
  • Altered 7th Chords
  • Blues in Different Keys
  • 12 Bar Blues with Cycles
  • Spelling the 7, 7b9, 9 and 7#9
  • Building a Solo From Chord Tones
  • Chord Tone Soloing in C minor
  • Chord Forms and Abbreviations in C minor
  • Diminished 7 Arpeggio
  • Diminished 7th Chords
  • Playing Octaves over C Minor Blues
  • Soloing in a Minor Blues Using Pentatonics
  • Plural Practice and Jam Tracks
  • The V7 Chord
  • Root 5 – Dominant 7 Arpeggio Part I
  • Root 5 Dominant 7 Arpeggio Part II
  • Major 7 and Dominant 7
  • Connecting Major 7th Chords
  • Swinging Your Scales
  • II – V – I Root 6
  • II, V, I Root 5
  • II, V, I in Minor
  • maj7, m7, 7, Root 3
  • Maj7, m7, 7, Root 4
  • Root 2 Moveable Chord Forms
  • Root 4 Rhythm Chords
  • The Tritone
  • Classic Jazz Blues Riffs
  • Arpeggios Over Chord Progressions (Cm Blues)
  • Classic Blues lines
  • Approaching dominant 7ths
  • Jazz Minor
  • The Minor Blues Scale over the Minor Chord
  • Maj7, m7, 7, Root 2
  • Classic Jazz Turnarounds with descending chromatic bass line 6th string
  • Whole Tone Scale
  • The IV Minor Chord in Open Keys
  • Switching Tonal Centers
  • Secondary Dominant to the IV
  • Learning the 12 Bar Form in A
  • Double Stop Chord Tones
  • Using Minor and Major Pentatonic in a 12 Bar Blues
  • Soloing Over The Blues in A
  • 12 Bar Blues in A with b7
  • 12 Bar Blues in A with Power Chords
  • 12 Bar Blues in A with Power Chords Part 2
  • Playing with Moveable Chord Tones
  • Moveable 7th Chord Forms
  • Using the Tritone as a 7th chord
  • The Tritone
  • 12 Bar Blues Form
  • Classic Blues Line
  • Pedalling in the Blues
  • Root 5, Dominant 7 Arpeggio Part 1
  • 12 Bar Blues in E Open Position
  • 12 Bar Blues in A
  • Root 5 or 2 Dominant 7 Arpeggio Part II
  • The Blues b3 to 3
  • The Blues Major and Minor
  • b3 in A Blues
  • Adding Movement to the 12 Bar
  • Arpeggiating a 12 Bar Blues
  • Arpeggios in a Minor Blues
  • Arpeggiating the Blues In A
  • A Minor Blues Scale in Open Position
  • Soloing with the 13
  • The Blues b3 to 3
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